ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and i沙漏情人gnorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some 少狼focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the 巩仙39;70s; nevertheless the political parallels are clear. An impressive film.
分类:剧情片
状态:HD中字
上映时间:1969
视频更新时间:2024-09-01 20:21
国家/地区:其它
影片语言:其它
评分:1.0分
影片导演:彼得·弗莱施曼
影片演员:Martin Sperr Angela Winkler 汉娜·许古拉
资源类别:高清无删减
剧情介绍:彼得·弗莱施曼 导演执导的《巴伐利亚打猎即景》,该影片在1969其它发行,上映至今获得了较好的口碑, HD中字,由Martin Sperr Angela Winkler 汉娜·许古拉 等主演的一部不错的其它的剧情片。
ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and i沙漏情人gnorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some 少狼focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the 巩仙39;70s; nevertheless the political parallels are clear. An impressive film.
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